When Chelsea Manning was arrested in May 2010 for leaking massive amounts of classified Army and diplomatic documents to WikiLeaks, she was almost immediately profiled by the mainstream press as a troubled person: someone who had experienced harassment due to her sexual orientation and gender non-conformity, and who leaked documents not on behalf of the public good, but out of motives of personal revenge or, as suggested in the New York Times, "delusions of grandeur." Compared implicitly to Daniel Ellsberg's apparently selfless devotion to the truth and the public good, Manning comes up short in these profiles-a failed whistleblower who deserves pity rather than political solidarity. The first book-length theoretical treatment of Manning's actions, Insurgent Truth argues for seeing Manning's example differently: as an act of what the book terms "outsider truth-telling." Bringing Manning's truth-telling into conversation with democratic, feminist, and queer theory, the book argues that outsider truth-tellers such as Manning tell or enact unsettling truths from a position of social illegibility. Challenging the social alignment of credibility with gendered, classed, and raced traits, outsider truth-tellers reveal oppression and violence that the dominant class would otherwise not see, and disclose the possibility of a more egalitarian form of life. Read as outsider truth-telling, the book argues that Manning's acts were not aimed at curbing corporate or governmental bad acts, but instead at transforming public discourse and agency, and inciting a solidaristic public. The book suggests that Manning's actions offer a productive example of democratic truth-telling for all of us. Lida Maxwell develops this argument through an examination of Manning's prison writings, the lengthy chat logs between Manning and the hacker who eventually turned her in, various journalistic, artistic, and academic responses to Manning, and by comparing Manning's example and writings with the work and actions of other outsider truth-tellers, including Cassandra, Virginia Woolf, Bayard Rustin, and Audre Lorde. Showing the shortcomings of existing approaches to truth and politics, Maxwell advances a new theoretical framework through which to understand truth-telling in politics: not only as a practice of offering a pre-political common ground of "facts" to politics, but also as the practice of unsettling public discourse by revealing the oppression and domination that it often masks.

There are certain moments, such as the American founding or the Civil Rights Movement, that we revisit again and again as instances of democratic triumph, and there are other moments that haunt us as instances of democratic failure. How should we view moments of democratic failure, when both the law and citizens forsake justice? Do such moments reveal a wholesale failure of democracy or a more contested failing, pointing to what could have been, and still might be? Public Trials reveals the considerable stakes of how we understand democratic failure. Maxwell argues against a tendency in the thinking of Plato, Rousseau and contemporary theorists to view moments of democratic failure as indicative of the failure of democracy, insomuch as such thinking leads to a deference to authority that unintentionally encourages complicity in elite and legal failures to assure justice. In contrast, what Maxwell calls "lost cause narratives" of democratic failure reveal the contingency of democratic failure by showing that things "could have been" otherwise - and, with public action and response, might yet be. A politics of lost causes calls for democratic responsiveness to failure via practices of resistance, theatrical claims-making, and re-narration. Maxwell makes a powerful case for the politics of lost causes by examining public controversies over trials. She focuses on the dilemmas and diagnoses of democratic failure in four instances: Edmund Burke's speeches and writings on the Warren Hastings trial in late eighteenth century Britain, Emile Zola's writings on the Dreyfus Affair in late nineteenth century France, Hannah Arendt's writings on the Eichmann trial in 1960's Israel, and Kathryn Bigelow's recent narration of (the lack of) trials of alleged terrorist detainees in Zero Dark Thirty. Maxwell marshals her subtle, historically grounded readings of these texts to show the dangers of despairing of democracy altogether, as well as the necessity of re-narrating instances of democratic failure so as to cultivate public responsiveness to such failures in the future.

The essays collected here, by both eminent and emerging scholars, engage interlocutors from Machiavelli to Arendt. Individually, they contribute compelling readings of important political thinkers and add fresh insights to debates in areas such as environmentalism and human rights. Together, the volume issues a call to think anew about nature, not only as a traditional concept that should be deconstructed or affirmed but also as a site of human political activity and struggle worthy of sustained theoretical attention.